![]() Great built-in FX and the add-ons are top-notch (Essentials bundle provides delay and reverb Character bundle offers plug-ins for drums, bass and vocal processing) yet, you won’t be wowed by dozens of on-board virtual instruments.However, if you like to work big and/or messy, you better have a powerful processor that can handle your clutter. This is no big deal for me as I grew up using a Tascam Porta Studio One with only four tracks. From what I understand, this is due to the analog stuff going on under the hood. Ğven though this beast has unlimited this and that, users should conserve resources as it’s more CPU hungry than some other DAWs.Well-written manual found online that is downloadable as a PDF.I read somewhere that the ‘optimize polarity’ feature is great, but I never used it.ĜPU will not overload and get sluggish when you decide to adjust channel strip processing as this is “pre-allocated” into host resources.Spectral analysis tool is a nice surprise feature.Ĝhannels can be independently resized via toggling between narrow and wide.Real mixer with one knob per function design.Named buses (convenient and time-saving).Resizable transport controls, editing tools, playback modes, counters, etc.The whole thing looks bigger than I remember, but maybe it’s my eyes.Harrison knows what’s needed to record, mix, and master a great track. VU meters are accurate, responsive, and easy to read.ĩ. The levels don’t jump all over the place. VCA faders are easy to slide and very responsive. Master has tone controls, compressor/limiter, and tape saturation for global FX during mix-down.ħ. Simulated analog mixing features a sweet in-line compressor with three modes.Ħ. No iLok or other annoying protection - uses license files.ģ.Ěttractive, customizable interface with a smooth, user-friendly workflow.Ĥ.Ĝhannel strips have built-in high-pass filter and three different EQ bands (low, mid, and high) and “Drive” controls for analog emulation to beef things up.ĥ. ![]() The sound is big, fat, punchy, and warm.Ģ. Tommy Zai’s Top Ten Reasons To Use This DAW (not in any particular order)ġ. Those who like to work in clips instead of linearly. Those who work exclusively in MIDI and require deep editing. It’s certainly capable and has all the essential tools. Note: Mixbus’ midi handling has come a long way. It has powerful tools for deep audio editing. Those who lean on “found” loops, e.g., Hip Hop, Trip Hop, etc. Those using mostly live instruments and vocals, who want a “real” studio look, feel, workflow and sound - this is as close as you’re gonna get in the virtual world. However, there’s no denying that certain workstations favor certain genres. You wouldn’t believe how I recorded my favorite tracks. I can only imagine a comparison on a high-end system.ĭisclaimer: Anyone in any genre can use anything and make great music. I have a home studio with budget monitors, and I can hear the difference. Mixbus! Harrison utilizes an “analog paradigm that embodies form, function, and sound.” This DAW looks, feels, operates, and sounds like the analog mixer. There have been countless comparisons between the major workstations, and the consensus is THEY ALL SOUND THE SAME. But what really sets Mixbus apart is the sound. They all have a story and a reason for existing. Yet, all DAWs have their own look and vibe. It’s modded after Harrison’s very own hardware. If the name isn’t enough, take a look at the interface. It’s called, “Mixbus,” and it’s created by Harrison, a world leader in professional large format consoles. That’s changed, or at least should change! Mixbus is now a full-featured DAW that is capable of helping users of all genres complete a project however, it’s clearly geared toward recording and mixing audio. Not too long ago, many users recorded in another DAW and used Mixbus for mixing. Harrison Mixbus v5 is a consumer level digital audio workstation for recording, editing, mixing, and mastering that takes a unique approach in comparison to the other choices on the market. should be using this fine piece of software, and hopefully what I wrote below inspires more investigation. Harrison Mixbus is one of them! In my opinion, more musicians, producers, etc. One focus will be on the DAWs that I consider under-appreciated underdogs. Note: I am working on an article and maybe even a video about the confusion, difficulty, and torment in choosing the right digital audio workstation for your needs.
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